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Ivory finally suggested Guadagnino join him as a co-director.“But nobody believed in this concept,” Guadagnino sighs. But nobody believed two filmmakers could make a movie together—unless they were brothers, or a pair to begin with.” Guadagnino could be fast and nimble in a way Ivory wasn’t practiced in.So I give a great level of importance to the concept of falling in love.” Instead, perhaps, it was resignation that made him take the helm.Guadagnino had been attached to the adaptation of André Aciman’s delirious summer romance for nearly a decade—first as a consultant, then an executive producer, then a writer—when he finally took the plunge into directing it.“I knew the emotional journey they were going through.
The book’s fans are diehard, and you don’t have to be gay, or Jewish, or to have summered in Italy, to remember the stomach-churning joys of first desire.Over the years, he took his producers on scouts all over Italy.“The book is about this specific place called Bordighera,” Guadagnino explains. We showed them the Bordighera village and a possible house that could meet the storyline.” Later on, he says, “we imagined a different setting; Sicily.” When the original director dropped out, they went to another and another, and the dance of seduction lasted varying lengths of time with each, until all of those suitors fell away.For those who fall for it, Call Me by Your Name makes them fall hard.So much so that when their friends share those feelings, their reactions make it feel like the novel is somehow being adulterous.